Travel PT - шаблон joomla Скрипты

Music and Dance in Kashmir
Kashmir has had a rich musical tradition going back centuries. The early Brahman communities played music very similar to Indian classical music such as the sitar. The advent of Sufism brought a new musical tradition, that of sufiana kalam, which involves the instruments santoor and saz. With this music, there are many dance forms in Kashmir, the most popular of which is the rouf. This dance heralds the arrival of the spring, performed by girls, and is usually performed at Eid festivals.

The Music of Jammu & Kashmir reflects the rich musical heritage and cultural legacy of the Jammu & Kashmir region of India and Pakistan. Traditionally the music composed by ethnic Kashmiris has a wide range of musical influences in composition. Due to Kashmir's close proximity to Central Asia, Eastern Asia and Southern Asia, a unique blend of music has evolved encompassing the music of the 3 regions. But, overall, Kashmiri music is closer to Central Asian music, using traditional Central Asian instruments and musical scales.

Chakri
Chakri is one of the most popular folk music played in Kashmir. Chakri is played with the musical instruments like Harmonium, Rabab, Sarangi and Nout. Chakri was also used to tell stories like fairy tales or famous love stories "Yousuf-Zulaikha", "Laila-Majnun" etc. Chakri ends with the Rouf, though Rouf is a dance form but few ending notes of Chakri which are played differently and on fast notes is also called Rouf.

Famous Chakri Players

  • Gulam Hassan Sofi
  • Abdur Rasheed Hafiz
  • Gulam Nabi Sheikh
  • Gulam Mohammad Dar
Rouf or Wanwun
Rouf is a traditional dance form usually performed by girls on certain important occasions like Eid, Marriage and other functions. Rouf includes dancing and singing simultaneously. No musical instrument is required in this. Girls arrange themselves in two or three rows, each row has 5-6 girls. Each row of girls then move one step forward and then back in swaying motion while singing the Rouf song or Wanwun. Usually Rouf is called Wanwun when played in marriages.

Ladishah
Ladishah is one of the most important part of Kashmiri music tradition. Ladishah is a sarcastical form of singing. The songs are sung resonating the present social and political conditions and are utterly humorous. The singers move from village to village performing generally during the harvesting period. The songs are composed on the spot on issues relating to that village, be it cultural, social or political. The songs reflect the truth and that sometimes makes the song a bit hard to digest, but they are totally entertaining.

Sufiana Kalam
Sufiana Kalam is the classical music of Kashmir, which uses its own Ragas (known as Maqam), and is accompanied by a hundred-stringed instrument called the Santoor, along with the Kashmiri Saz, Wasool, Tabala and Sitar. Sufiana Kalam has been popular in Kashmir since arriving from Iran in the 15th century and has been the music of choice for Kashmiri Sufi mystics. The dance based on the sofiyiana kalam is the hafiz nagma.

Classical
Music in Kashmir performed by Hindus is mainly influenced by Indian classical music, using instruments such as the Sitar. Sarangadeva who wrote the famous Sangeet Ratnakara was a Kashmiri. Music and musical instruments find mentioned in the earliest texts like the Nilmatapurana and Rajatarangini by Kalhana. The very fact that a Kashmiri - Abhinavagupta (the great philosopher) who has written a commentary called Abhinavabharati on Bharata's Natyashatra shows how much of importance was given to music in the ancient times. The most popular folk instrument is Santoor (Shat-tantri-veena), a hundred string percussion instrument which is played by Goddess Sharada (the Goddess of learning and art in ancient Kashmir). Henzae is a music form sung by Kashmiri Pandits on religious and cultural festivals.

Local Faces
The Kashmiri people are a Dardic ethnic group living in the region of Kashmir who speak the Kashmiri language. Kashmiri is "a Northwestern Dardic language of the Indo-Aryan branch of the Indo-Iranian subfamily of the Indo-European language family. which is also known as Koshur and hence are classified as a Dardic people.

History & Origins
Originally, the Kashmiris were mostly Buddhist, Hindu, and Pagan. Islam was introduced by Sufi saints from Central Asia, Hazrat Bulbul Shah of Anatolia being the most prominent of them. Prince Rinchin of Ladakh, a Buddhist who was living in Jammu & Kashmir at the time came under the influence of Saint Bulbul Shah and converted to Islam. Later on after the defeat of the Hindu ruler Suhadeva by Dulchu, Suhadeva fled Kashmir, and Rinchin became King of Jammu & Kashmir and adopted the name Malik Saduruddin. Eventually the majority of Kashmiris adopted Islam and became Muslim, although there are still small communities of Hindus and Sikhs living in the Kashmir Valley, the former being known as Kashmiri Pandits. Due to the large Kashmiri diaspora during The 1947 War, atleast 6% of Pakistanis claim Kashmiri ancestry.

The Kashmir region enjoys significant ethnic, cultural and religious diversity. The region has historically been an important centre for Hinduism and Buddhism. Islam was introduced in the medieval centuries, and Sikhism also spread to the region under the rule of the Sikh Empire in the 18th and 19th centuries. Kashmir has a significant place in the mythology and history of all four religions. The region derives its name from the Hindu sage Rishi Kashyapa and is believed to have been the abode of the celestial Nagas. The region is home to many legendary Hindu and Buddhist monuments and institutions. The Hazratbal shrine houses a relic that is believed to be the hair of Muhammad (PBUH), the prophet of Islam. In his journeys seeking religious enlightenment, Guru Nanak travelled to Kashmir.

Kashmiriyat is believed to have developed under the rule of Muslim governor Zain ul Abedin and the Mughal emperor Akbar, both of whom gave equal protection, importance and patronage to Kashmir's different religious communities.

Philosophy
Kashmir's existence is characterised by its insular Himalayan geography, harsh winter climate and isolation in economic and political terms. The region has also seen political turmoil and foreign invasions. Kashmiriyat is believed to be an expression of solidarity, resilience and patriotism. It is believed to embody an ethos of harmony and a determination of survival of the people and their heritage. To many Kashmiris, Kashmiriyat demanded religious and social harmony and brotherhood. It has been strongly influenced by Shaivism, Buddhism, Sikhism and Sufism, carrying a long-standing conviction that any and every religion will lead to the same divine goal.

Kashmir was also influenced by the Mughal emperor Akbar's genesis of a syncretic philosophy of `Din-i-Illahi, which emphasized the blending of Hindu and Muslim ideals and values. Works in the Kashmiri language, art, culture and literature strongly expound and emphasize Kashmiriyat as a way of life. However, the impact and importance of Kashmiriyat has been concentrated mainly in the Vale of Kashmir and Jammu. The farther regions of Gilgit, Baltistan and Ladakh have been influenced by the philosophy to a lesser extent.

LANGUAGE
Kashmiri is a language from the Dardic sub-group of the Indo-Aryan group of languages and it is spoken primarily in the Kashmir Valley, in the Indian Administered part of Jammu and Kashmir. There are approximately 5,554,496 speakers in India, according to the Census of 2001. Most of the 105,000 speakers or so in Pakistan are émigrés from the Kashmir Valley after the partition of India.They include only a few speakers residing in border villages in Neelum District as well as individuals who settled in the towns in the plains of West Punjab after the partition.

The Kashmiri language is one of the 22 scheduled languages of India, and is a part of the Sixth Schedule in the constitution of the Indian state of Jammu and Kashmir. Along with other regional languages mentioned in the Sixth Schedule, as well as Hindi and Urdu, the Kashmiri language is to be developed in the state. Some Kashmiri speakers frequently use Hindi or English as a second language.[1] Since November 2008, the Kashmiri language has been made a compulsory subject in all schools in the Valley up to the secondary level.

Literature
In 1919 George Abraham Grierson wrote that “Kashmiri is the only one of the Dardic languages that has a literature”. Kashmiri literature dates back to over 750 years, this is, more-or-less, the age of many a modern literature including modern English.

Writing system
There are three orthographical systems used to write the Kashmiri language—these are the Perso-Arabic script, the Devanagari script, and the Sharada script; additionally, due to internet technology, the Roman script is sometimes used to write Kashmiri, especially online. The Kashmiri language was traditionally written in the Sharada script after the 8th Century A.D. This script however, is not in common use today, except for religious ceremonies of the Kashmiri Pandits. However, today, it is written in the Perso-Arabic (with some modifications) and Devanagari scripts. Among languages written in the Perso-Arabic script, Kashmiri is one of the very few which regularly indicates all vowel sounds. This script has been in vogue since the Muslim conquest in India and has been used by both Muslims and Hindus for centuries, in the Kashmir Valley. However, today, the Kashmiri Perso-Arabic script has come to be associated with Kashmiri Muslims, while the Kashmiri Devanagari script, has come to be associated with the Kashmiri Hindu community, who employ the latter script.

Grammar

Kashmiri, like German and Old English and unlike other Indo-Aryan languages, has V2 word order.

There are four cases in Kashmiri: nominative, genitive, and two oblique cases: the ergative and the dative case.

Vocabulary
Kashmiri is rich in Persian words, much as is the case with Urdu. In reference, Shashishekhar Toshkhani, a scholar on Kashmir's heritage, provides a detailed analysis where he shows extensive linguistic relationship between the Sanskrit language and the Kashmiri language, and presents detailed arguments contesting George Grierson's classification of the Kashmiri language as a member of the Dardic sub-group (of the Indo-Aryan group of languages.)

Page 2 of 2
Join Our Efficient Mailing List